Titlebook: Cultural Convergence; The Dublin Gate Thea Ondřej Pilný,Ruud van den Beuken,Ian R. Walsh Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) an

enamel

书目名称Cultural Convergence影响因子(影响力)




书目名称Cultural Convergence影响因子(影响力)学科排名




书目名称Cultural Convergence网络公开度




书目名称Cultural Convergence网络公开度学科排名




书目名称Cultural Convergence被引频次




书目名称Cultural Convergence被引频次学科排名




书目名称Cultural Convergence年度引用




书目名称Cultural Convergence年度引用学科排名




书目名称Cultural Convergence读者反馈




书目名称Cultural Convergence读者反馈学科排名

长矛

,The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir,vocated for a drama that could move beyond realism. The analysis of Hilton Edwards’s dramatic commentary reaches from his early articles on dramaturgy right up to his encounter with the Berliner Ensemble in 1956 that influenced Edwards’s most elaborate statement on drama, . (1958). An important part

地牢

POLYP

The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin,s chapter breaks new ground by exploring the Irish roots of Edwards and mac Liammóir, and the rumours that mac Liammóir had Spanish and Jewish ancestry. ‘The Boys’ were not the only figures associated with the early Gate to have transnational backgrounds. Coralie Carmichael, the theatre’s biggest fe

凶残

虚情假意

虚情假意

,Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s ,heál mac Liammóir and featuring a young Orson Welles. Exploring . uncovers a broader engagement with ‘exotic’ or oriental narratives at the Gate generally. The history and subject matter of . contextualizes mac Liammóir’s fascination with oriental and Middle-Eastern culture within contemporary film.

insomnia

民间传说

,‘We Belong to the World’: Christine Longford’s War Plays During Irish Neutrality,er, she was also a successful and prolific playwright. This chapter focuses on three history plays written during World War II: . (1941), . (1942) and . (1943). In these works, Longford used the stage to voice strong critique of the increased state control and censorship practices during ‘the Emerge

DALLY

Ondřej Pilný,Ruud van den Beuken,Ian R. WalshExamines the Gate’s poetics over the first three decades of its existence.Investigates cultural exchanges pertaining to the development of Irish-language theatre and the politics of the Gate.Moves awa