Titlebook: Cultural Afterlives and Screen Adaptations of Classic Literature; Wuthering Heights an Hila Shachar Book 2012 Palgrave Macmillan, a divisio

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书目名称Cultural Afterlives and Screen Adaptations of Classic Literature被引频次学科排名




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cylinder

Cultural Afterlives and Screen Adaptations of Classic Literature978-1-137-26287-5

决定性

debble

Afterword,The oppositional distinction which can be drawn between Rivette’s . and the other adaptations is a significant one that requires elaboration. I will do so through an expansion of the issues I have raised throughout my analyses of Catherine, Heathcliff and the various landscapes they have inhabited.

事物的方面

engender

Iris Murdoch: her interest in Zen BuddhismThe oppositional distinction which can be drawn between Rivette’s . and the other adaptations is a significant one that requires elaboration. I will do so through an expansion of the issues I have raised throughout my analyses of Catherine, Heathcliff and the various landscapes they have inhabited.

engender

amine. With a particular focus on Wuthering Heights , the book examines adaptations made from the 1930s to the twenty-first century, providing an understanding of how they help shape our cultural landscape.978-1-349-33322-6978-1-137-26287-5

植物茂盛

Before the Afterlife,vel, through a focus on the characters of Lockwood, Heathcliff, Catherine and her daughter (henceforth referred to as ‘Cathy’).. I conclude with an exploration of the discourses of love expressed by Catherine and Heathcliff in ., after which we move from the novel to the screen.

强行引入

The Cinema of Spectacle, later adaptations.. Part of the task then, of analysing this film is similar to that of analysing the novel: examining a ‘beginning’ that has already become a heavily defined ‘end’ as, arguably, the film that has been given the most critical attention and one that is inextricably bound up in the popular imagination with what the novel ‘means’.

尊严

in the 1990s,n a large scale, with carefully constructed sets and scenery and the representation of both generations of characters in the novel. It also adds a particular aspect of its own to the narrative in the form of Emily Brontë as a character in her own story.