Titlebook: Cult Media; Re-packaged, Re-rele Jonathan Wroot,Andy Willis Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 film.cinema.medi

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t to the ever-growing number of academics and research students that are specializing in studies of cult cinema and fan practices, as well as professionals (filmmakers, journalists, promoters) who are familiar with these types of films..978-3-319-87612-2978-3-319-63679-5

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Introduction,lates how home media releases complicate definitions of cult, as demonstrated through case studies. The aim of the introduction is to show how the book intervenes and progresses debates and investigations of both cult film and home media research, as well as outlining summaries of the contributor’s

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Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Cemselves with specific quarters of the industry, most visibly arising from cult and marginal film markets, or from prestige and art film markets. However, in recent years, there has been a blurring of these categories as both sectors extend their catalogue into what would have historically been unde

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A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neoculturalribution of TV shows on DVD/Blu-ray. I will re-open the question of Arrow’s agency as a distributor (Wroot 2015), addressing how Arrow Films has sought to materially channel fan affects via Nordicana and DVD signings. Arrow’s involvement in Nordic Noir as well as B-movie/genre cinema suggests that t