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Titlebook: Culinary Aesthetics and Practices in Nineteenth-Century American Literature; Monika Elbert,Marie Drews Book 2009 Monika Elbert and Marie D

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书目名称Culinary Aesthetics and Practices in Nineteenth-Century American Literature
编辑Monika Elbert,Marie Drews
视频videohttp://file.papertrans.cn/241/240713/240713.mp4
丛书名称Nineteenth-Century Major Lives and Letters
图书封面Titlebook: Culinary Aesthetics and Practices in Nineteenth-Century American Literature;  Monika Elbert,Marie Drews Book 2009 Monika Elbert and Marie D
描述Culinary Aesthetics and Practices in Nineteenth-Century American Literature examines the preponderance of food imagery in nineteenth-century literary texts. Contributors to this volume analyze the social, political, and cultural implications of scenes involving food and dining and illustrate how "aesthetic" notions of culinary preparation are often undercut by the actual practices of cooking and eating. As contributors interrogate the values and meanings behind culinary discourses, they complicate commonplace notions about American identity and question the power structure behind food production and consumption.
出版日期Book 2009
关键词aesthetics; America; Amerikanische Literatur; fiction; novel; politics; rhetoric
版次1
doihttps://doi.org/10.1057/9780230103146
isbn_softcover978-1-349-37982-8
isbn_ebook978-0-230-10314-6Series ISSN 2691-1256 Series E-ISSN 2634-5218
issn_series 2691-1256
copyrightMonika Elbert and Marie Drews 2009
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Seeing and the Experience of Pictures,use of food to indicate larger themes. Moby-Dick uses culinary rhetoric to establish its analysis of power relations. in the nineteenth century, and a reading of Moby-Dick’s dining scenes supplements the study of the novel’s themes.
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Industry and the City: Workers in Struggle,er, the mind is fed by carefully moderated reading—the system wants “one dish at a time,” for “[t]he mind that reads a good book slowly is much more likely to be enlightened and fed than if it read ten books in the same time.”
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Industry and the City: Workers in Struggle,en Dimmesdale, in . (1850), eats with “ravenous appetite” (I: 225) upon his return to the study, after his final encounter with Hester in the forest leaves him frenzied and momentarily unable to write a pious sermon for the governor’s election. In . (1851), the vicious Pyncheon males are depicted as
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