Titlebook: Crossroad of Arts, Crossroad of Cultures; Ecphrasis in Russian Maria Rubins Book 2000 Palgrave Macmillan, a division of Nature America Inc.

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,Quine’s Philosophy of Science, this technique was employed by a wide range of poets, no other group produced as much ecphrastic verse as the French Parnassians. They are credited not only with the creation of elaborate pictorialist poetry, but also with the articulation of pictorialist poetics.

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Steps Towards a Pragmatic Protogeometry,nes are somewhat diminished until they find recomposition in words. Conversely, when we describe in story our experiences or dreams, we unconsciously seek to create visual images for ourselves or our interlocutors, brandishing epithets of color, shape, and shadow as if in defense of the maxim “a pic

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,The Russo-German Question, 1918–1920,wo categories. One group of narratives tends toward detailed description; in transposing a sculpture or painting, they assimilate certain devices characteristic of the visual arts. In contrast, the other current in literary treatment of art favors transformation over imitation. Many Russian authors

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Reflections on the Philosophy of Languagevery core of Acmeist poetry and poetics.Three renowned poets of the Acmeist milieu, namely Innokenty Annen-sky, Maksimilian Voloshin, and Mikhail Kuzmin, tapped into this important current as well. While these poets do not fit neatly into any single modernist group, their treatment of the arts illum

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Titlebook: Crossroad of Arts, Crossroad of Cultures; Ecphrasis in Russian Maria Rubins Book 2000 Palgrave Macmillan, a division of Nature America Inc.

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