Titlebook: Creatural Fictions; Human-Animal Relatio David Herman Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Britain.culture.Englis

畏缩

she wishes to improve and on the periphery of which she wishes to reside in secret. Complicating this present-day frame is the standing of the mother, Olympia (or Oly) Binewski, as a hunchbacked dwarf who hopes to prevent her daughter, Miranda, from having her tail surgically removed—a tail that, w

neurologist

. R. Ackerley in . (47). Published in 1956, ., a memoir, chronicles the 16-year companionship of Ackerley, a gay writer working for the BBC, and Tulip, a female Alsatian, unspayed for most of her life. Together, this dyad share an apartment in London, spending most of their time in the city negotiat

表两个

Die Raumladungsschwächung des Schroteffektesnd rests the other on his muscular shoulder. They are lost in each other and in the throes of desire. This is standard fare for a particular type of romance novel cover art (what Sarah Wendell and Candy Tan call “Old Skool Romance” in ., and it is both easily recognized and readily mocked for its cl

Interdict

Ragnar Holm,Friedrich Güldenpfennig have persistently proceeded via conceptual pairs. At the heart of this area of inquiry, for instance, Matthew Calarco identifies two core questions: “One question concerns the being of animals, or “animality,” and the other concerns the human-animal distinction” (2). Similarly, Gilles Deleuze and F

提升

艰苦地移动

ovation

Spongy-Bone

锯齿状

千篇一律