Titlebook: Creative Selves / Creative Cultures; Critical Autoethnogr Stacy Holman Jones,Marc Pruyn Book 2018 The Editor(s) (if applicable) and The Aut

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Architektur eines Shell-Baukastens,false binary between private and public conceptions of relationships. The use of confessional poetry as autoethnography provides a method for researcher poets to critique taken-for-granted social structures that disempower and present fully embodied ways of being. I discuss how writing mother-poems

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Wachstum bei gegebener Sparquote,he right trail!” (1991, 40) urges Hélène  Cixous. This chapter takes up Cixous’ refusal to oblige and reproduce the colonial system in writing in an attempt to un/re/entangle autoethnographic writing practices in and around the colonial moment in which we find ourselves. In this paper I take poetic

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Carl-Jochen Winter,Joachim Nitschetween composers, scores and the realisation of contemporary notated musical works. The specific focus of the chapter is the author’s practice-based research toward realising Helmut Lachenmann’s . (.. 2008) for voice and piano. . is a piece that exploits the body of the singer and the attention of t

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2947-8324 ography creates for research texts.Demonstrates the importanThis book addresses and demonstrates the importance of critical approaches to autoethnography, particularly the commitment that such approaches make to theorizing the personal and to creating work that embodies a social justice ethos. Arts-