Titlebook: Copyright and Public Performance of Music; Stanley Rothenberg Book 1954 Martinus Nijhoff, The Hague, Holland 1954 Europe.Film.broadcasting

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ConclusionThe examination of several copyright acts and performing right societies indicates that there are marked differences (as well as similarities) between the law and practice in the United States and Europe as well as among the European countries.

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Building a Workflow with Visual Studio 2005ugh the performance is not for profit. Nevertheless, the public performance right in music was not included in the . until 1897. If, prior to that date, an author secured copyright in a musical composition he relinquished the right to control public performances. In the Copyright Act of 1909 the 189

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Building a Workflow with Visual Studio 2005e, the Dutch Copyright Law provides that the copyright includes “the exclusive right of the author of a work… to make it public,” . and states that the expression, “making public,” is understood to include “the delivery or performance or presentation in public of the whole or part of the work or of

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American Copyright and Common Lawtes authors had rights in their . works prior to the passage of any legislation by Congress providing for uniform nation-wide protection. . This can be traced to the common law of England, . existing prior to the American Revolution, which the individual states of the United States adopted, subject to some modifications, as their own common law.

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Public Performance of Music in the United Statese, an author secured copyright in a musical composition he relinquished the right to control public performances. In the Copyright Act of 1909 the 1897 public performing right in music was altered so as to read:

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