Titlebook: Connecting the Holocaust and the Nakba Through Photograph-based Storytelling; Willing the Impossib Nawal Musleh-Motut Book 2023 The Editor(

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https://doi.org/10.1007/978-3-031-27238-7Ethnography; Anthropological Methods; Holocaust; Nakba; Israel; Palestine; Photography; Storytelling; Exile;

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978-3-031-27240-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Trusting in Teaching to Let Learn,e-Intifada generation, Nick is the only one of this study’s six participants facing the threat of deportation back to the region. His life story is punctuated by postmemories of his father‘s, mother’s, and sister’s lives having been torn apart in 1948 and his own direct memories of his family again

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Education in a Culture of Suspicion?,e First Intifada generation, Haifa’s postmemories of the Nakba are haunted by the killing of her paternal grandfather by Jewish militia during the Nakba, which set her family’s life on a trajectory for generations to come. After losing his father and becoming a refugee when he was only one month old

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Trusting in Thinking about Knowing, one who does not share photographs alongside his storytelling. As a member of the immediate Holocaust postmemory generation, Ran grew up in the early years of the new Israeli state surrounded by survivors who rarely shared stories of the horrors they endured. Yet, as Ran explains, the Holocaust was

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Education in a Culture of Suspicion?,caust postmemory generation once removed, his postmemories are directly tied to his mandatory three-year serve as a combatant soldier in the Israeli Defense Forces (IDF). As Itai shares, even though he was raised as a leftist who believed Palestinians were humans and had a right to the land, the Isr