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Titlebook: Conceiving Virtuality: From Art To Technology; Joaquim Braga Book 2019 Springer Nature Switzerland AG 2019 virtuality.Gilles Deleuze.philo

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Topics in Acoustic Echo and Noise Controlre. Finally, I reject any ontological use of the virtual in teleonomy, especially in its metaphysical attempt to identify autopoiesis and mechanism, and I conclude by stressing how current digital technology is fully oriented to the reproductive model, conceptually rooted in a metaphysical account o
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,Imagination and Virtuality. On Susanne Langer’s Theory of Artistic Forms,l condition inherent to all artistic symbolization processes. That these latter, however, do not always express a linear dynamic of the “actual-virtual” binomial is, as will be seen, a critical point of view that must be applied to the aesthetic formulations and concepts developed by Langer.
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Book 2019pt of “the virtual” to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard
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Utopia, Ideology, and Philosophy,is new approach, starting with Karl Mannheim’s and Paul Ricoeur’s studies on utopia and its relationship with ideology. The central thesis is that the discourse on sciences has its seat in a “no-place” or a “nowhere”, which is the ideal laboratory for philosophic work, where sciences are reconstructed both epistemologically and ideologically.
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Sonic Virtuality, Environment, and Presence,ormed from the hypothetical modelling of salient worlds of sensory things, and it is in the environment that we feel present. The article ends with some thoughts on the use of biofeedback in computer games as part of the immersive technology designed to facilitate presence in such worlds.
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,The Reality of the Virtual in Deleuze’s Transcendental Empiricism,al empiricism is critical to the conditions of possibility of experience proposed by Kant. Deleuze’s perspective goes further and admits the virtual must be defined as a strictly part of the real. The virtual is fully determined and necessary; a virtual field represents the necessary conditions to actualize the actual experience.
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