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Titlebook: Computational Aesthetics; Yasuhiro Suzuki,Katsushi Nakagawa,Shinya Tsuchiya Book 2019 The Author(s) 2019 Brain Process of Haptics.Haptic D

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发表于 2025-3-21 18:59:29 | 显示全部楼层 |阅读模式
书目名称Computational Aesthetics
编辑Yasuhiro Suzuki,Katsushi Nakagawa,Shinya Tsuchiya
视频videohttp://file.papertrans.cn/233/232086/232086.mp4
概述The first-ever book to explore the value of tactile sense studies for ergonomic engineering.Introduces “computational aesthetic analysis for the arts,” which contributes to making human beings feel co
丛书名称SpringerBriefs in Applied Sciences and Technology
图书封面Titlebook: Computational Aesthetics;  Yasuhiro Suzuki,Katsushi Nakagawa,Shinya Tsuchiya Book 2019 The Author(s) 2019 Brain Process of Haptics.Haptic D
描述The essence of natural computing is aesthetics; for example, in cooking, one of the most common forms of natural computation, the decision to add salt, and how much, is based on the aesthetics of taste. Because touch perception is instinctively related to a sense of beauty, the aesthetics of tactile sense are considered as algorithms by using the Tactile Score, which encodes tactile sensation. This book will appeal not only to researchers of natural computing or aesthetics, but also those working in ergonomic design, haptic-Kansei engineering, philosophy, design and art.
出版日期Book 2019
关键词Brain Process of Haptics; Haptic Devices; Haptic Sensor Design; Industrial and Medical Application of; K
版次1
doihttps://doi.org/10.1007/978-4-431-56844-5
isbn_softcover978-4-431-56842-1
isbn_ebook978-4-431-56844-5Series ISSN 2191-530X Series E-ISSN 2191-5318
issn_series 2191-530X
copyrightThe Author(s) 2019
The information of publication is updating

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,Herder on “Sentio, Ergo Sum”: Seen from His Remarks on the Color Harpsichord, harpsichord”. “Color harpsichord” is a curious instrument invented by French Jesuit Louis-Bertrand Castel (1688–1757), inspired by the correlation theory between spectral hues and musical scale which English natural scientist Isaac Newton (1642–1726) proposed in . (1704). So Castel attempted to vis
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A Spectro-Gestural-Morphological Analysis of a Musical-Tactile Score,transcription of Friedrich Chopin’s posthume . n° 20 in .. In the intention of the author this comparison will show its correlations between sound, movement and musical representation and will highlight their common features. To conduct this analysis, the movement indicated by the musical score and
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,Herder on “Sentio, Ergo Sum”: Seen from His Remarks on the Color Harpsichord,ichord because of lack of doubt or reflection on sight and hearing being modally different and forces an unnatural mode of perception in reverse of the process of human development, from a “sensorium commune” to a being with five differentiated senses. This argument can be summarized, as Herder hims
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