Titlebook: Complicite, Theatre and Aesthetics; From Scraps of Leath Tomasz Wiśniewski Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 T

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Introduction, attention is given to the juxtaposition of the collective nature of the ensemble and the individual authorship of Simon McBurney. The influence of artistic masters such as Jacques Lecoq and John Berger is discussed, along with echoes of the work of Peter Brook, Bertolt Brecht, Tadeusz Kantor and Sh

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,The Logic of the Plot in Théâtre de Complicité,with the world around it, which led to establishing the structural foundations for Complicite’s work. Attention is given to the issues of the construction and composition of .. Numerous dichotomies between the carnival and the lyrical, the mimetic and the counterfactual, are discussed, as are those

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The Aesthetics of Complicite,ng the aesthetics of Complicite through Yuri Lotman’s concept of the semiosphere. The analogies include the delimitation of communicative space, the dynamic relations between the centre and the periphery, the notion of the boundary and the autonomy of constitutive elements. Four levels of theatre co

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Kaleidoscopic Fragmentariness,agmentariness of compositional units. The reading of . illustrates echoes within various dimensions of the play’s arrangement. The written, the spoken and the visual channels of communication mutually enrich the meanings created by one another. Other themes of the chapter include numeric sequences,