Titlebook: Communities, Performance and Practice; Enacting Communities Kerrie Schaefer Textbook 2022 The Editor(s) (if applicable) and The Author(s) 2

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Textbook 2022e concept of community as a form ofclass-based solidarity has been hollowed out by postmodernism’s questioning of grandnarratives and poststructuralism’s celebration of difference. Alongside the critique of a notionof community has been a critical re-signification of community, following the thinkin

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Enacting Community,ncept of community as being-in-common generates questions that guide the research, namely, how might the critical re-signification of community contribute to the critical analysis of community theatre and performance practice, and how is ‘community’ as being-in-common enacted in community theatre and performance practices?

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Enacting Community,ow a newly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community (as a form of class-based solidarity) has, arguably, been hollowed out by postmodernism’s questioning of grand narratives and post-structuralism’s celebrat

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Historical and Theoretical Perspectives on Community Performance,articulate and frame theoretical debates underpinning the emergence and, in some cases, disappearance of practices since the 1960s. I refer to four key moments in this process: Owen Kelly’s (.. London: Comedia, 1984) articulation of community in community arts as an active and dynamic process of cul

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