Titlebook: Comics, the Holocaust and Hiroshima; Jane L. Chapman,Dan Ellin,Adam Sherif Book 2015 The Editor(s) (if applicable) and The Author(s) 2015

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EXTOL

The Role of Tenants in Managing Housing,ational Socialist persecution and genocide in contemporary U.S. public discourse, within the wider context of discussions of Allied ‘bystanders’ to the Holocaust. Analysing a sample of anthology comic book titles published by the Quality Comics Group during the Second World War, techniques of close

conjunctivitis

Managing a Residualised Housing Stock,he Holocaust under Vichy. Survivor testimonials and memories of hidden Jewish children are presented within the context of memory studies, connecting this with new cultural history and the widening of sources, discussed here in relation to the problems of representing trauma and memory in Holocaust

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Social Identities Aross Life Courseen. With other sequential comic strip narratives, Barefoot Gen is examined through the lens of literary criticisms trauma theory. This chapter shows how effectively comic strip narratives can represent trauma. The aftermath of Hiroshima was studied by Robert Jay Lifton, a key figure behind the inclu

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彩色的蜡笔

彩色的蜡笔

https://doi.org/10.1057/9781137407252Comics; Second World War; memory; Holocaust; Hiroshima; Genocide; historiography; history

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The Editor(s) (if applicable) and The Author(s) 2015

灾难

Comics, the Holocaust and Hiroshima978-1-137-40725-2Series ISSN 2731-5711 Series E-ISSN 2731-572X

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