Titlebook: Collaboration and Resistance in Occupied France; Representing Treason Christopher Lloyd Book 2003 Palgrave Macmillan, a division of Macmill

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Reza Ravanmehr,Rezvan Mohamadrezaeilowing the occupation, hundreds of memoirs and novels were produced by individuals seeking either to bear witness to their wartime experiences or, for later generations, to reconstruct such experiences at second-hand. Any account of writing about the period is therefore bound to be highly selective,

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Reza Ravanmehr,Rezvan Mohamadrezaei historical events like the Second World War have been shaped far more by the mediated images of cinema and television than by personal experience or historical study. The seductive distortions of film are absorbed so painlessly that it requires a conscious effort to recognise them as glorious simpl

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https://doi.org/10.1007/978-3-030-65081-0hat ‘Auschwitz was not a discourse. It trivializes mass murder to see it as a text’ (Evans, 2000: 244, 124). My argument in this book has essentially been the reverse: that literary and cultural representations of past events are a form of history. While there is no need to cast doubt on the factual

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