Titlebook: Coleridge’s Experimental Poetics; J. C. C. Mays Book 2013 J. C. C. Mays 2013 Coleridge.poetics.poetry.philosophy.poem.poet.Samuel Taylor C

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Aura231

A Poet Making,s can appear similar and adjacent, as with Robert Frost or Seamus Heaney, or separate as in the case of Wallace Stevens. The striking accidents that mark Coleridge’s public career—the notice he attracted from the beginning and the failings at odds with his great gifts—confuse the issue. If a person’

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misanthrope

exhibit

,“So viel Anfang war noch nie” [or, There has never been so much beginning],able way and, even when poems press toward similar kinds of resolution or irresolution, the repetition is never identical. Kelvin Everest has a nice phrase for this compulsion to begin afresh—“perpetual contemporaneity”.—though I think the driving force was less frantic and merely topical than he in

exhibit

食道

2691-1256 cess of experimentation and provides a new perspective on both familiar and unfamiliar poems, as well as the relation between Coleridge‘s poetry and philosophical thinking.978-1-349-45324-5978-1-137-35023-7Series ISSN 2691-1256 Series E-ISSN 2634-5218

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Monolithic

Wie berät man fachlich kompetent? ish vernacular tradition. In theory, the gulf is enormous. Classical prosody measures duration by eye and English prosody judges accent by ear, so that an analogy proposed by Hartley Coleridge is quaint but apposite: