Titlebook: Cognitive Joyce; Sylvain Belluc,Valérie Bénéjam Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dubliners.Finnegans Wake.Ul

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,Hallucination and the Text: “Circe” Between Narrative, Epistemology, and Neurosciences,he gap between these two fields, it offers an alternative to the traditionally vague definition of hallucination as an intuitively grasped experience which deviates from ordinary perception. Arguing that the technique of the episode is similar to phantasmagoria, a pre-cinematic genre whose deceptive

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Jennifer D. Campbell,Loraine F. Lavallee mind. It offers a survey of Joyce criticism, starting from the psychological focus of the first reviews up to the latest developments of cognitive literary criticism. In passing, the essay presents a general survey of cognitive criticism according to Alan Richardson’s classification, pointing to th

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Todd F. Heatherton,Nalini Ambadybetween consciousness and reality. While the natural approach consists in conceiving the world as objective and external, and our perspective on it as ontologically secondary, phenomenology reverses this hierarchy. This paper claims that . illustrates this Copernican revolution, since Dublin is cons

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,Rosenberg’s Selectivity Hypothesis,he fictional mind, methods that presage a post-Cartesian approach to cognition. This essay examines (1) to what extent Joyce’s evocations of the fictional mind can be understood from the perspective of this post-Cartesian paradigm, and (2) how his reading notes may have been instrumental in the grad

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https://doi.org/10.1057/9781137542304 previous meanings to denounce the moral and spiritual paralysis from which Dubliners, in his view, suffered. In that regard, etymology can be said to have a truly cognitive value, since it provides the reader with knowledge of certain hidden meanings. But it can also work as a cognitive tool throug

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Self-Evaluation and the Ends of Existenceuman thought rejected the ancient belief that minds conceive sensory images and instead asserted that all mental processes are exclusively based on language. Contemporary critics of James Joyce would thus champion his works as illustrations of such “imageless thought” that achieve greatness chiefly

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https://doi.org/10.1007/978-94-007-1266-9s,” Lenehan’s rambling movements and thoughts prove the act of waiting to be a mode of cognitive apprehension of time through space, the young woman’s apprehension of her environment in “Eveline” is saturated by a past which paralyses her. Finally, the apprehension of space and time in “Araby” is en