Titlebook: Class and the Canon; Constructing Labouri Kirstie Blair,Mina Gorji Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Rechtliche Aspekte in der Intensivmedizinasses, and by growing national prosperity, publications of dialect writing in prose and verse multiplied remarkably. In particular three writers, Samuel Laycock, Ben Brierley and Edwin Waugh achieved considerable local fame. The latter two were even able to earn a precarious living as professional writers.

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opalescence

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Was Burns a Labouring-Class Poet?, (1772–1802), but dismissed the comparison as deeply misleading: ‘He will never be rightly estimated as a poet, till that vulgar wonder be entirely repressed which was raised on his having been a ploughman’ (Jeffrey, 1809, p. 249).

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Courtly Lays or Democratic Songs? The Politics of Poetic Citation in Chartist Literary Criticism,s debate as manifested through the selection, citation and discussion of both historical and contemporaneous poetry in the pages of the Chartist press. In short, it will argue that there is a ‘politics of citation’ which reveals the close relationship between political and aesthetic theory in Chartist thinking.

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Nierenerkrankungen und Nierenersatzverfahrenrt Burns; as a master of both Scots vernacular and Augustan pastoral poetry; and as a tutelary figure in a specifically Northern school of Irish poetry. His early popular success spurred him on to publish two further and more complex editions of poetry, . (1799) and . (1806).

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Constructing the Ulster Labouring-Class Poet: The Case of Samuel Thomson,rt Burns; as a master of both Scots vernacular and Augustan pastoral poetry; and as a tutelary figure in a specifically Northern school of Irish poetry. His early popular success spurred him on to publish two further and more complex editions of poetry, . (1799) and . (1806).

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