Titlebook: Civil Antisemitism, Modernism, and British Culture, 1902–1939; Lara Trubowitz Book 2012 Lara Trubowitz 2012 culture.Great Britain.Modernis

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书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939影响因子(影响力)




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939影响因子(影响力)学科排名




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939网络公开度




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939网络公开度学科排名




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939被引频次




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939被引频次学科排名




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939年度引用




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939年度引用学科排名




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939读者反馈




书目名称Civil Antisemitism, Modernism, and British Culture, 1902–1939读者反馈学科排名

刺耳

Wyndham Lewis: Jewish Antisemites and Tolerant Britons in the Era of the Jewish Refugee,

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Civil Antisemitism, Modernism, and British Culture, 1902–1939

CODA

Civil Antisemitism, Modernism, and British Culture, 1902–1939978-0-230-39167-3

Femish

,Acting Like an Alien: The Rhetoricized Jew in British Immigration Law, 1902–1914,hniques to convey its attitudes and theories. It has received limited critical attention from scholars of British antisemitism precisely because it rarely appears to be as militant, hence as dangerous, as the hate mongering we associate with demagogues like Arnold White, author of the notorious ., a

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epicardium

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甜食

Millennialisms and the Recreation of Historyhniques to convey its attitudes and theories. It has received limited critical attention from scholars of British antisemitism precisely because it rarely appears to be as militant, hence as dangerous, as the hate mongering we associate with demagogues like Arnold White, author of the notorious ., a

Yourself

Popular Religion and the English Revolutionrk’s emotional core; Felix, Coleman believed, was a distraction (Letter to Barnes, August 17, 1935).. As Cheryl Plumb points out in “Revising . ‘A Kind of Glee of Despair,’” it is clear, both from Barnes’s letters to Coleman and from the lengthy descriptions of Felix in the opening of . itself, that