Titlebook: Cinema and the Swastika; The International Ex Roel Vande Winkel (Assistant Professor, Lecturer), Book 2011 Palgrave Macmillan, a division o

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书目名称Cinema and the Swastika影响因子(影响力)




书目名称Cinema and the Swastika影响因子(影响力)学科排名




书目名称Cinema and the Swastika网络公开度




书目名称Cinema and the Swastika网络公开度学科排名




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书目名称Cinema and the Swastika被引频次学科排名




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书目名称Cinema and the Swastika年度引用学科排名




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书目名称Cinema and the Swastika读者反馈学科排名

exquisite

Coordinate

象形文字

https://doi.org/10.1057/9781137287670ck of ‘national’ films; and secondly, and more importantly, to disseminate German culture ‘thereby continuing a tradition, and simultaneously awakening an understanding of the new developments now beginning in Europe’.

pessimism

Mercantile

,Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika, 1933–44,man counterpart that his nation’s films would not compete directly with German films since they would be ‘Hungarian’ products, culturally and perhaps racially distinct from those made by Germans. These features, naturally, would attract new audiences, and all sides would benefit from greater trade a

Mercantile

,Film and Politics in South-east Europe: Germany as ‘Leading Cultural Nation’, 1933–45,ck of ‘national’ films; and secondly, and more importantly, to disseminate German culture ‘thereby continuing a tradition, and simultaneously awakening an understanding of the new developments now beginning in Europe’.

提升

,German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation,respects, international film companies considered Belgium an extension of the French film market. During the Second World War, Nazi Germany seized the opportunity to temporarily change that situation.

Obvious

,A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933–45, between the Bohemian Lands and the German Reich. Following the creation of Czechoslovakia these ties intensified. This trend, which was already noticeable under Austrian rule, manifested itself among other things in the entertainment industry.

词汇表

,The Attempted Nazification of French Cinema, 1934–44,taly, and the Soviet Union seemed to highlight French cultural decadence and the deficiencies of liberal democracy vis-à-vis Fascism and Communism. France’s shocking defeat in 1940 and the ensuing German occupation devastated an already weakened nation economically and psychologically.