Titlebook: Character, Acting and Being on the Pre-modern Stage; Edward Burns Book 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Character and the Passions,e-class Protestantism opposes itself — an opposition to the idea of a visible, common, indivisibly social life, an opposition that expresses itself in the construction of interiorities and in the assertion of an authoritative basis for the self in individual relation to God and his revealed word. Bu

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Introduction,dly behind her like a set of theatrical flats. Her head and upper body are lit brightly from an unseen source. Her arms are folded on the table-top, and she stares vacantly a little to the side, into the empty space that takes up nearly half the picture, ignoring both the spectator’s gaze, and the rosary that lies on the table in front of her.

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https://doi.org/10.1007/978-1-4302-1939-2political praxis (which is how Aristotle and the rhetoricians examine it) is to become aware of the complexity of Elizabethan theatrical practice, especially in an area that often unexamined notion of character has tended to obscure.

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Character, Acting and Being on the Pre-modern Stage

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Character, Acting and Being on the Pre-modern Stage978-1-349-09594-0

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