Titlebook: Cartography and Art; Lehn,Gartner,Cartwright Book 2009 Springer-Verlag Berlin Heidelberg 2009 Art Installations.Computer Graphics.Design.G

Coronary-Spasm

Alfhild Grönbladh,Mathias Hallbergred to ‘work’ if they are scientifically ‘elegant’, technologically ‘buildable’ and ‘deliverable’ using contemporary communications systems. But science or technology, need not always take on primary roles, and there now is a need to address the role that design needs to take to facilitate the furth

START

https://doi.org/10.1007/978-1-0716-0884-5ed on a scientific framework. It is pre-supposed that there is some parallel distinction between the former, represented by art, and the latter, represented by contemporary cartography. The intention is to examine the nature of the distinction, and the boundaries or transition zones between them. An

Radiation

https://doi.org/10.1007/978-1-0716-0884-5 a crisis of perception theory insofar as current theories on the fine arts are still conceptualized in a largely static manner. Art, as opposed to discourse, is still far from having attained the level Merleau-Ponty had hoped for, a level on which the recipient shifts from “onlooker” to “experience

Cardioplegia

Gabriele Vincelli,Andrea Bedininication behaviour of insects, which has been brought to perfection during evolution and is highly effective for these creatures. Beside gesture, verbal or dance-based communication, traditional human artefacts for a visual description of space go back 8000 years..Whereas oldest preserved maps show

contrast-medium

OPINE

Isolation of Murine and Human Osteocyteseral European countries were produced. The subject of this paper is the comparison of the appearance and partially functionality of these maps i.e. mediation of information to user, for instance about size and land cover class frequency. Aesthetics of land cover maps issued in several West European

悲痛

Intestinal Epithelium Tubules on a Chip, styles. We propose a dialogue application in order to take the user’s needs into account and to bring the cartographic expertise he may lack as well. In this paper, we argue that on-demand map design should benefit altogether from user artistic capacities and from cartographic theory. Our approach

横截,横断

Yu Du,William J. Polacheck,Rebecca G. Wells the time, that technology itself is not enough. Technology, as much as it is important for development, it does not bring beauty to our work. Nowadays it isn’t the truth that beauty equals quality, as it was for example in the 16. century; however, harmony which is the main part of what we understa

happiness

https://doi.org/10.1007/978-1-0716-1693-2edservices have become one of the primary purposes for their everyday use.At the same time, multimedia phones are becoming personal, ubiquitous entertainmentcentres. As a consequence, not only technical and functional elements areimportant for a user, but also the overall user-experience, including

dainty

Pathologic Classification of Ovarian Cancerce and habits. In this process the map creator considers aesthetics. In order to optimise this part of mapping it would be useful to know the variables of aesthetics: Which graphic elements and attributes of a map are considered when it’s beauty is assessed? Colours, line styles, relief visualisatio