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Titlebook: Caribbean Women Writers; Fiction in English Mary Condé,Thorunn Lonsdale (director of the Yaman Book 1999 Palgrave Macmillan, a division of

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发表于 2025-3-21 19:13:44 | 显示全部楼层 |阅读模式
书目名称Caribbean Women Writers
副标题Fiction in English
编辑Mary Condé,Thorunn Lonsdale (director of the Yaman
视频video
图书封面Titlebook: Caribbean Women Writers; Fiction in English Mary Condé,Thorunn Lonsdale (director of the Yaman Book 1999 Palgrave Macmillan, a division of
描述Caribbean Women Writers is a collection of scholarly articles on the fiction of selected Caribbean women writers from Antigua, Barbados, Belize, Dominica, Grenada, Guyana, Jamaica and Trinidad. It includes not only close critical analysis of texts by Erna Brodber, Dionne Brand, Zee Edgell, Jamaica Kincaid, Paule Marshall, Pauline Melville, Jean Rhys and Olive Senior, but also personal statements from the writers Merle Collins, Beryl Gilroy, Vernella Fuller and Velma Pollard.
出版日期Book 1999
关键词fiction; novel; women
版次1
doihttps://doi.org/10.1007/978-1-349-27071-2
isbn_softcover978-0-312-21863-8
isbn_ebook978-1-349-27071-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1999
The information of publication is updating

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The Most Important Reason I Write keeping. I grew up in rural Jamaica in the forties. In the fifties I went to school in the capital city, Kingston, but continued to spend all my holidays at home in the country. I write from a memory of those times and those places. It is very easy to lose a sense of the past and have each generati
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Writing Fiction, Writing Realitycal leaders and the Prime Minister Maurice Bishop, had been killed in internecine political strife. I was very much a part of what one called the political process. I believed in some kind of revolutionary change for my island home not because I had any profound theoretical knowledge of the Marxism-
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Literary Allusion in the Fiction of Jean Rhyshand. and Evelyn O’Callaghan. have argued for her Caribbean identity and she remains a pivotal figure despite a continuing debate. John Hearne speaks of Rhys’s best-known novel, . (1966), as representing a character ‘abandoned by history’; it would be sad if Jean Rhys too were to be abandoned by his
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Pauline Melville’s Shape-Shifting Fictionse-shifter as someone who is able to ‘conjure up as many different figures and manifestations as the sea has waves’: the other, more specifically, refers to the belief that the ‘shaman or medicine-man of the Indians of Guiana, to whom nothing is impossible, can effect transformation of himself or oth
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Jamaica Kincaid’s Writing and the Maternal-Colonial Matrix the island for the United States, where she took various jobs before establishing herself as a writer. Kincaid’s father was a carpenter and cabinet-maker. Her grandmother was a Carib Indian, and her mother, Annie, is from Dominica. In 1966 Kincaid went to the United States to pursue her education.
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