Titlebook: Campaigning Culture and the Global Cold War; The Journals of the Giles Scott-Smith,Charlotte A. Lerg Book 2017 The Editor(s) (if applicabl

Indict

发展

贪婪地吃

Alopecia-Areata

, and the Congress for Cultural Freedom: The High Tide of the Intellectual Cold War, 1948–1971precise: the Berlin Congress of 1950 and the organisation of the CCF were immediate results of ., which had been founded already in 1948 by the Office of Military Government, United States (OMGUS). Edited by Melvin Lasky, the monthly magazine rapidly became an instrument of both, the intellectual Co

新义

我吃花盘旋

‘Our greatest Asset’: Encounter Magazine and the Congress for Cultural Freedom unpublished archival record, and the vexed question of the relation of CIA funding to .’s editorial independence. However, it places the greatest emphasis on interpreting the contents of the magazine in the light of the details of contemporary periodical debates in London, and also within the large

继而发生

Panther

Thyroxine

Tracking the Bear: ,Its formation epitomised the Congress for Cultural Freedom (CCF) as a network of exiled intellectuals speaking out against the ravages of totalitarianism, but it continued long after the CCF folded. Its founder, Walter Laqueur, and long-time editor, Leo Labedz, were both survivors and emigrés from C

Friction

, (1953–1965) and the Failure of a Cold War Liberal Project for Latin Americarogramme on the South American continent. Focusing on its Eurocentric and radically anti-communist ideological line, the chapter gives insight into a policy which failed to attract local audiences or carry out solid pro-democratic work. As part of a comprehensive analysis of the CCF’s failure in Lat