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Titlebook: Advances in Representation; New AI- and XR-Drive Andrea Giordano,Michele Russo,Roberta Spallone Book 2024 The Editor(s) (if applicable) and

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Digital Reconstruction of the Paradox—Escher’s Relativityreality. The latter is defined by G. Bettetini as an imitation, a representation, a reproduction, but also a fiction, a deception: “The art of simulation involves the executive ability of the portrait, the statue, the scenographic setting, of the representation of the idea; but also, that of cheating, of stratagem.
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Virtual Spaces for Knowledge Preservation: Digitization of a Vanished Archaeological Excavationy, this process leverages the most advanced digital representation systems, focusing on computer vision and information and communication technology. These systems open new horizons for the narrative of archaeology (Gabellone, Capitale culturale e capitale umano. L’innovazione al servizio della Cultura, LuBeC, Lucca, 2016).
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Virtual and Mixed Reality for the Enhancement of an Absence: The Case of the Artemis Statueenting with multimodal and multimedia configurations suitable for informing different audiences, so much to involve them in real digital narratives that can incentivize the desire to return to visit the tangible artistic asset as soon as it returns to its usual venue.
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Digital Innovations in Architecture, Engineering and Constructionhttp://image.papertrans.cn/b/image/167308.jpg
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Grundzüge des industriellen EinkaufsSpace weather results from a sophisticated interplay of different disciplines, with the aim of understanding and predicting the connection between the solar activity and the physical conditions throughout the interplanetary space down into the planets’ atmosphere (Baker in Adv Space Res 22:7–16, 1998).
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https://doi.org/10.1007/978-3-663-10239-7This paper presents the outcomes of a multidisciplinary teaching, dedicated to third-year students of the bachelor program in Design and Visual Communication.
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