Titlebook: A Love for Nothingness, A Love for Death; The Metaphysics of D Alberto Castelli Book 2024 The Editor(s) (if applicable) and The Author(s),

Falter

书目名称A Love for Nothingness, A Love for Death影响因子(影响力)




书目名称A Love for Nothingness, A Love for Death影响因子(影响力)学科排名




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书目名称A Love for Nothingness, A Love for Death网络公开度学科排名




书目名称A Love for Nothingness, A Love for Death被引频次




书目名称A Love for Nothingness, A Love for Death被引频次学科排名




书目名称A Love for Nothingness, A Love for Death年度引用




书目名称A Love for Nothingness, A Love for Death年度引用学科排名




书目名称A Love for Nothingness, A Love for Death读者反馈




书目名称A Love for Nothingness, A Love for Death读者反馈学科排名

Common-Migraine

Perceive

self-destructive behaviors.Illustrates how love is still ou.This book aims at explaining romantic love between straight adults through literary texts of the western canon from the nineteenth and twentieth century. Each chapter comes with a multidisciplinary approach in which protagonists are mutila

欢乐东方

Einschränkung des Formenwahlermessensnarration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoint as the embodiment of Kierkegaard’s dichotomy between esthetic and ethical life.

裂口

Einschränkung des Formenwahlermessenscher, an unbearable splendour due to her fascination with a death instinct. She is a naïve self-willed victim, at times disturbing and attractive. One cannot but wonder about the nature of desire, the pleasure principle, a perverse definition of love that is less fictional than it is, once more, an illustration of human nature.

吞吞吐吐

Grundbegriffe der Handlungsformen der EU expressions of Dürkheim’s suicide classification. Goethe and Foscolo, accidentally, created heroes whose tragic action aesthetically reproduces the basic elements belonging to Dürkheim’s three typologies.

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载货清单

chuckle

MOT

A Love that Kills: The Idiot,narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoint as the embodiment of Kierkegaard’s dichotomy between esthetic and ethical life.