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Titlebook: Austerity and the Public Role of Drama; Performing Lives-in- Victor Merriman Book 2019 The Editor(s) (if applicable) and The Author(s), und

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楼主: Auditory-Nerve
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https://doi.org/10.1007/1-4020-3416-4ences and perspectives, within evolving ethical frameworks. This is the general aim of this book, and this chapter summarises key concerns, providing a guide to rationale, structure, and chapter content.
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Mathematics and Its Applications Choir appropriates Francis’s persona of the Fool for Christ to address contemporary circumstances. Both Fo and Talen’s advocacy for, and intervention in, public space, and their efficacy is analysed in relation to theories of performativity applied to the socio-political order.
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Drama Worlds As Public Worlds Choir appropriates Francis’s persona of the Fool for Christ to address contemporary circumstances. Both Fo and Talen’s advocacy for, and intervention in, public space, and their efficacy is analysed in relation to theories of performativity applied to the socio-political order.
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(Re)Public Worlds: Drama As Ethical Encounterethical encounter’ (Curran 2016) along existential axes of Justice/Democracy, and Subordination and Exclusion/Empowerment and Inclusion. The critique surveys three OHTC productions, two of which were dramaturged and directed by the author.
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Book 2019as. A need for dialogue with emergent forms of collective consciousness, new democratic practices and institutions, shapes a manifesto for critical performance, which invites universities and cultural workers to join other social actors in imaginingand enabling ethical lives-in-common..
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Efstathios Vassiliou,M. Hazewinkelomesticating the evolving political economy of the liberal state project identifies a liberal spectrum, including classical liberalism, neo-liberalism, and a bifurcated post-liberalism, taking opposing radical and conservative forms.
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Applications and further examples,ith attention to issues of gender, race, and class embedded therein. A post-polity undergoing neo-liberalisation is identified as the ground on which new polities, new public imaginaries, must be wrought.
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