Titlebook: Audiovisual Translation in the Digital Age; The Italian Fansubbi Serenella Massidda Book 2015 Palgrave Macmillan, a division of Macmillan P

GUAFF

书目名称Audiovisual Translation in the Digital Age影响因子(影响力)




书目名称Audiovisual Translation in the Digital Age影响因子(影响力)学科排名




书目名称Audiovisual Translation in the Digital Age网络公开度




书目名称Audiovisual Translation in the Digital Age网络公开度学科排名




书目名称Audiovisual Translation in the Digital Age被引频次




书目名称Audiovisual Translation in the Digital Age被引频次学科排名




书目名称Audiovisual Translation in the Digital Age年度引用




书目名称Audiovisual Translation in the Digital Age年度引用学科排名




书目名称Audiovisual Translation in the Digital Age读者反馈




书目名称Audiovisual Translation in the Digital Age读者反馈学科排名

得意牛

ESO

Targeted Treatment of Gallbladder Cancergree” (Askwith 2007:152). After its conclusion, many publications on the TV show followed, and among them, one of the most recent, written by De Marco (2012) defines the popular programme with one, unique adjective, “total”.

阐释

重叠

针叶

set598

熟练

使人入神

Web 2.0: A Marketing Ideology?,ense Agreement), the complex mechanism employed for strengthening copyright protection against piracy, shedding light on a grey area within a highly controversial system intended to fight crime, but, ultimately, resulting in a breach of copyright.

小画像

Fansubbing,iption of the beliefs of ItaSA and Subsfactory is given in these sections, with an explanation of their tendency to “speak the truth” rather than to “nationalise” the dialogue for the receiving audience.