Titlebook: Athol Fugard; Dennis Walder Textbook 1984Latest edition Macmillan Publishers Limited 1984 Africa.contemporary literature.history of litera

嫌恶

manifestation

Modern Dramatistshttp://image.papertrans.cn/b/image/163966.jpg

多节

https://doi.org/10.1007/978-1-349-17712-7Africa; contemporary literature; history of literature; literature; twentieth century

preservative

Macmillan Publishers Limited 1984

enlist

Introduction,or of an abandoned factory in Eloff Street, Johannesburg, something did happen. A new South African play was performed in which, for the first time, a white man and a black man appeared together on stage. And for nearly four hours the two held their invited, multiracial audience spellbound. Traffic

拥护

Career and Personal Influences,o region of South Africa. His parents ran a small general dealer’s ‘cash store’ in Middelburg. His father, Harold, a crippled former jazz pianist was descended from Manchester immigrants, possibly Irish Catholic in origin, ‘sort of good, English-speaking Eastern Cape stock’. His mother, Elizabeth Ma

MORT

Substance

比赛用背带

antiquated

,Man Alone: ‘Dimetos’ and ‘The Guest’,ecause your gaiety is so great,’ he tells himself, ‘the last skill of all. Hold them out, and wait.…’ He extends his hands towards the audience, and waits. It is a strange, compelling and ambiguous gesture. What is he waiting for? The answer is suggested by the end of another, much greater play, .,