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Titlebook: Aphra Behn: The Comedies; Kate Aughterson Textbook 2003Latest edition The Editor(s) (if applicable) and The Author(s) 2003

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发表于 2025-3-21 18:08:27 | 显示全部楼层 |阅读模式
期刊全称Aphra Behn: The Comedies
影响因子2023Kate Aughterson
视频video
发行地址A useful and accessible guide to the plays of an important seventeenth-century female dramatist. Examines how Aphra Behn addresses the subjects of gender and sexuality in her plays. Explores drama as
学科分类Analysing Texts
图书封面Titlebook: Aphra Behn: The Comedies;  Kate Aughterson Textbook 2003Latest edition The Editor(s) (if applicable) and The Author(s) 2003
影响因子Kate Aughterson provides readers with an approachable and fascinating critical guide to the dramatic works of an important seventeenth-century woman writer.Aughterson analyses Aphra Behn‘s abilities as a playwright, showing particularly how she skillfully employs comic and dramatic conventions to radical ends, and how she forces her audience to engage with issues about gender and sexuality whilst retaining her witty and accessible style. .Chapters in the first part of the book provide close readings of the comedies, addressing such topics as openings, endings, character types, staging, and politics and society.In the second part, Aughterson not only examines Behn‘s literary career and the Restoration contexts of her plays, but also looks at some sample criticism and explores Behn‘s drama as performance.
Pindex Textbook 2003Latest edition
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发表于 2025-3-21 20:58:08 | 显示全部楼层
Openingsngs). There are good reasons for this, all of them signalling how distinct drama is from other literary forms, such as the traditional novel. Drama is predicated on action: for the plot to move forward, for characters to clash, to conflict and to come together during the short space of the performan
发表于 2025-3-22 00:29:53 | 显示全部楼层
Endingsup, all characters happy participants in a celebratory closure, and all discord resolved, the ending produces a feeling of completion and inclusion. We are presented with an image of a cohesive, festive society. If, on the other hand, loose ends are left unexplained, characters are left outside the
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Heroines and Whoresiority, wit and eloquence than she does the men. She asks us to recognise them as women in a particular society. We shall examine one speech, or participation in dialogue, of each of the main female characters in each play, and consider Behn’s modes of characterisation. We have already seen how femi
发表于 2025-3-22 15:45:10 | 显示全部楼层
Rakes and Gallantsscious libertines, self-interested, witty and sexy. Nevertheless, Behn uses this hero in a distinctive manner that sets her apart from many of her contemporaries: she objectifies these men through plotting, characterisation, the success of the heroine-tricksters, and the strategic employment of the
发表于 2025-3-22 17:43:36 | 显示全部楼层
Multiplying Plotsaracters. Additionally, the playwright’s plotting enables and encourages the audience to perceive and understand the action and themes in very particular ways. Behn frequently uses structural repetitions and parallels, to which our attention is explicitly drawn.
发表于 2025-3-22 21:18:20 | 显示全部楼层
Stagingns. We have not the space here to consider all the examples in each play of her theatrical facility: one example from each demonstrates Behn’s use of the spatial and visual dimensions of the stage to build tension, aid characterisation and deepen the drama. Throughout our previous analyses this appr
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