Titlebook: Anthropocene Poetry; Place, Environment, Yvonne Reddick Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license

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https://doi.org/10.1007/978-3-476-04856-1h her that was conducted for this monograph. It builds on Donna Haraway’s work on gender and multispecies kinship in the Anthropocene, Kathryn Yusoff’s work on ‘Black Anthropocenes,’ and scholars of Edouard Glissant who have further ecologised his concept of the poetics of relation. It considers how

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https://doi.org/10.1007/978-3-476-04856-1, the Coda explores whether there is thematic common ground between these two supposedly distinct ecopoetic methods. The Coda highlights further links between environmental activism and the production of poetry and shows how ecopoetry, climate change poetry, and issues associated with the Anthropoce

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978-3-031-39391-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Anthropocene Poetry978-3-031-39389-1Series ISSN 2946-3157 Series E-ISSN 2946-3165

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https://doi.org/10.1007/978-3-662-36821-3 highlighted. If many poets considered in this monograph look to scientific knowledge to inform their creative work, and sometimes their environmental activism, some subvert its white, patriarchal biases. The chapter argues that a transdisciplinary understanding of the idea of the Anthropocene has c