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Titlebook: Anais Nin; Literary Perspective Suzanne Nalbantian (Professor of English and Compa Book 1997 Palgrave Macmillan, a division of Macmillan Pu

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https://doi.org/10.1007/978-1-349-25443-9hotographer. No small wonder, then, that he photographed all three of his children in every possible way, posed or unposed, dressed and undressed, and that these photographs would be misinterpreted by Anaïs herself while under the overwhelming influence of what passes for modern psychology today or in her desperate search for arousing erotica.
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Genes, Culture, and History in Coevolutionharsh, implacable parental . that haunts much of her diary, as well as her autobiographical fiction. Nin constantly had to confront and attempt to propitiate a stern superego symbolic of the law and the word of the absent Father/God. In late adolescence, Anaïs confessed in her journal:
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Anaïs Nin’s ,: Father-Loss and Incestuous Desireharsh, implacable parental . that haunts much of her diary, as well as her autobiographical fiction. Nin constantly had to confront and attempt to propitiate a stern superego symbolic of the law and the word of the absent Father/God. In late adolescence, Anaïs confessed in her journal:
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