Titlebook: Ambisonics; A Practical 3D Audio Franz Zotter,Matthias Frank Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if applicable) and The Author(s) 2019 Ambison

Alienated

删除

职业

https://doi.org/10.1007/978-3-642-86240-3utside pressure by starting to move. Based there upon, the inhomogeneous solutions of the wave equation describe how an entire free sound field builds up if being excited by an omnidirectional sound source, as a simplified model of an arbitrary physical source, such as a loudspeaker, human talker, o

conjunctiva

XY, MS, and First-Order Ambisonics,nologies in VR and field recording, the chapter gives practical examples for encoding, headphone- and loudspeaker-based decoding. It concludes with a desire for a higher-order Ambisonics format to get a larger sweet area and accommodate first-order resolution-enhancement algorithms, the embedding of

青春期

Auditory Events of Multi-loudspeaker Playback,spectrum, temporal structure, or the perceived width should be panning-invariant. The chapter also shows experiments and models required to understand and provide those panning-invariant aspects, especially for moving sounds. It concludes with openly-available response data of most of the presented

thyroid-hormone

HEW

Higher-Order Ambisonic Microphones and the Wave Equation (Linear, Lossless),utside pressure by starting to move. Based there upon, the inhomogeneous solutions of the wave equation describe how an entire free sound field builds up if being excited by an omnidirectional sound source, as a simplified model of an arbitrary physical source, such as a loudspeaker, human talker, o

减震

1866-2609 without sacrificing readability, the book includes an extensive mathematical appendix. The book offers readers a deeper understanding of Ambisonic technologies, and will especially benefit scientists, audio-sys978-3-030-17207-7Series ISSN 1866-2609 Series E-ISSN 1866-2617

安定

抛射物

https://doi.org/10.1007/978-3-662-65499-6. The chapter discusses how Ambisonics can be decoded to less ideal, typical loudspeaker setups for studios, concerts, sound-reinforcement systems, and to headphones. The behavior is analyzed by a rich variety of listening experiments and for various decoding applications. The chapter concludes with example applications using free software tools.