Titlebook: Afterlives of the Lady of Shalott and Elaine of Astolat; Ann F. Howey Book 2020 The Editor(s) (if applicable) and The Author(s), under exc

BACLE

,Reading and Resisting: The Lady/Elaine in Young People’s Literature,vs feminist metanarratives on the Lady/Elaine story. The latter part of the chapter analyzes Marjorie Richardson’s “Launcelot’s Tower,” L. M. Montgomery’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural an

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Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.

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Postscript, of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our rel

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Better Deposit Guarantee Schemesvs feminist metanarratives on the Lady/Elaine story. The latter part of the chapter analyzes Marjorie Richardson’s “Launcelot’s Tower,” L. M. Montgomery’s ., Felicity Pulman’s . series, and Meg Cabot’s .. These texts depict young women reading the Lady/Elaine to model ways to engage with cultural an

尾巴

Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.