Titlebook: Acoustic Interculturalism; Listening to Perform Marcus Cheng Chye Tan Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limi

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Conclusion: After Authenticity: Naming the Intercultural,ens aufgeklärt sein und sie beherrschen. Hinsichtlich des bewussten Einsatzes aller sprachlichen M- lichkeiten geht es gar nicht darum, aus einer moralischen Po- tion vor Manipulation zu warnen, sondern darum, sich an die Bedeutung und die Voraussetzungen von Vertrauen und Klarheit zu erinnern. Auf

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Christian Fandrych,Maria Thurmairitioning of video cameras that capture a circular complimentarity in an anamorphic frame of fractured plywood boards painted with sections of Zeros/Os, metadramatically stages the problems of intercultural performances that seek to locate, present or perform Asia.

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Book 2012Acoustic Interculturalism is a study of the soundscapes of intercultural performance through the examination of sound‘s performativity. Employing an interdisciplinary approach, the book examines an akoumenological reception of sound to postulate the need for an acoustic knowing – an awareness of how sound shapes the intercultural experience.

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978-1-349-34628-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2012

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https://doi.org/10.37307/b.978-3-503-20544-8ion and adaptation of Other performance traditions. In addition, the narratives of these traditions, often Eastern in origin, are extracted and revised to create an attempted ‘fusion’ with Western theatrical principles or modes that yield new postmodern hybrid products. As Julie Holledge and Joanne

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Christian Fandrych,Maria Thurmair. Such a trend is rooted in what is recognisably a visual culture where meaning is often constructed, constituted and mediated by what is seen and less of what is heard/listened to. Epistemologies are mediated, accessed, produced and realised by the ocular sense where meaning, information, knowledge