Titlebook: A Route to Modernism; Hardy, Lawrence, Woo Rosemary Sumner Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 fi

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https://doi.org/10.1007/978-0-387-69179-4ls. As Lawrence says in his ‘Study of Thomas Hardy’: ‘… this is the quality Hardy shares with the great writers, Shakespeare or Sophocles or Tolstoi, this setting behind the small action of his protagonists the terrific action of unfathomed nature.’. In Hardy’s exploration of this theme in . he arri

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T. Keta Hodgson,Glenn D. Braunsteinense’ as she represses her hatred of Miss Kilman in favour of buying flowers for her party. This moment of horror at the contents of her own subconscious is done so swiftly and so early in the novel that its significance can be overlooked as her character is developed. Threats to her sensitivity — P

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https://doi.org/10.1007/978-1-59745-179-6write novels in a novel way, though not always easier to publish them. She was excited by the challenge of experimenting. Each novel she wrote was exploring something new; she commented especially on the daring of the ‘Time Passes’ section of . and on the strangeness of . These three writers wanted

IVORY

Front Matterprimary reference, through the cases of Albert Einstein and Charles Darwin’s ideas in different geographical contexts. The comparative method has been extensively taken up to explain the influence of Charles Darwin’s ideas in the Latin American context, with emphasis on a diffusionist view. This per

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,Discoveries of Dissonance: Hardy’s Late Fiction,holarly approaches to the subject.Includes supplementary matThis handbook provides a comprehensive overview of state-of-the-art research in the field of monetary and financial history. The authors comprise different generations of leading scholars from universities worldwide. Thanks to its unrivaled