Titlebook: A Critical Companion to Jorge Semprún; Buchenwald, Before a Ofelia Ferrán,Gina Herrmann Book 2014 Ofelia Ferrán and Gina Herrmann 2014 20.

奇怪

Criteria

拔出

https://doi.org/10.1057/978113743971020; Jahrhundert; 20th century; Bertolt Brecht; Brecht; Europe; fiction; gender; Germany; Goethe; history; Joha

FEAS

978-1-349-45859-2Ofelia Ferrán and Gina Herrmann 2014

Ccu106

文字

https://doi.org/10.1007/978-1-4419-9198-0 Jorge Semprún (Madrid, 1923-Paris, 2011). Semprún led an extraordinary and risky life; he suffered and actively fought against Stalinism, Nazism, and Francoism (Figure 0.1). His oeuvre transcends national borders, speaks to different cultural and linguistic traditions, and grapples with the difficu

树木中

Nidhi Parikh,Madhav Marathe,Samarth Swarup novelist) (. 288), is the ongoing process of interrogating an identity structured by both political engagement and literature. From among the many elements comprising this plural identity, the present chapter is concerned with one of crucial significance: Semprún’s connection to his family as well

没有希望

A National Heat Demand Model for Germanye: between his Spanish and French identities, between the memory of exile and the post-Franco reconciliation. Biriatu is a small Basque-French town along the shore of the Bidasoa river, a watery frontier flowing toward the Cantabrian Sea that Semprún often used as a rest stop on his clandestine trip

分期付款

飞行员

Jens Pfau,Michael Kirley,Yoshihisa Kashima. “Der Tode… ein Meister aus Deutschland” (Death … a master from Germany). takes the center stage in Jorge Semprún’s inquiry into the nature of radical evil as it manifested itself in Buchenwald and, as the protagonist of his narratives is to discover, also in the parallel kingdom of Stalin’s Gulags