Titlebook: Writing Fantasy and the Identity of the Writer; A Psychosocial Write Zoe Charalambous Book 2019 The Editor(s) (if applicable) and The Autho

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What Is Your Fairy Tale? What Is Your Writing Fantasy?,vided to discuss the concept of rewriting a fairy tale and its symbolic value. Data from the research project about this exercise revealed collective fantasies of the participants. A fantasy of accountability traced participants’ concern that fairy tales rewritten had to be accurate, and constructin

FEAT

A Paper Boat,x exercises are summarized along with the case studies of writing fantasies in the order of the chapters interlinked with a commentary narrative asking the reader to reflect upon their own writing. Justifying the rationale of the pedagogy of writing fantasy, Charalambous clarifies the contribution o

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Why Does Writing Matter?, emergence of Creative Writing as a discipline and of its current multifaceted perception in terms of its relationship to literature and other disciplines are provided. Finally, her research investigating the sequence of six Creative Writing exercises and the exploration of writing fantasy are connected to the structure and goals of this workbook.

Regurgitation

Do We Write Freely?,ing with this prompt. The case study of a participant presents the writing fantasy of ‘wider meaning’ informing her spoken and written discourse with instances of shift in her fantasy. The chapter ends with guideline questions to help the reader trace materialities of language that will help them slowly explore their own writing fantasy.

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What Does the Other Want?, narrator figure.’ The participant’s engagement with the sequence of the six exercises and evidence in her spoken discourse about creative writing show that her writing fantasy was potentially expanded. Guideline questions at the end help the reader continue exploring their writing fantasy in their texts and responses about writing.

Ornithologist

Whose Is This Voice?,comfort in relation to some of the exercises in the sequence is explored. Guidelines are provided to the reader at the end in order to help them compare their text to this exercise with the previous one and to examine patterns that can further examine their own writing fantasy.

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