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Titlebook: White Holes and the Visualization of the Body; Žarko Paić Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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Event and Difference: The Performative-Conceptual Turn of Contemporary Art, aesthetic—in the media-created reality. The emphasis lies on the changing of the concept of interactivity, which replaces the aesthetics of the event. Language, speech and body are opened as a complex unity of the biosphere and technosphere in the situation and the context of freedom of action. Fro
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Book 2019eptual tools.  Paić argues that the human body has become obsolete in relation to the development of cybernetics and artificial intelligence, proposing that it can be understood neither as a bare thing nor a machine, but instead as an event...The concept of White Holes serves both as a metaphor and
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Introduction,ot enter this (hyper)space. On the contrary, the whole structure of thought on the visualization of the body, from Baudrillard, Lacan, Merleau-Ponty, Deleuze and Artaud to contemporary theories of the image and the body, shows the path to the Omega point of human desire for unity of thinking and Being beyond biological boundaries.
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The Return to the Body,In this way, phenomenology shows us the beginning of the adventure of thought that consciousness and the world associate with the emergence of the body as the medium of a technically constructed world.
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The New Theory of the Subject,of the chapter presents an insight into the end of psychoanalysis and the end of the subject overall in the era of bio-cybernetics. The image precedes language as the digital simulation precedes reality.
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Event and Difference: The Performative-Conceptual Turn of Contemporary Art,nality of the work. The technosphere which generates the assemblage of media art is coming to a radical change in the event of art as the reproductive difference. The question of truth in the event of contemporary art can now be derived from distinctive events in a work that requires new interpretations.
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