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Titlebook: Webster and Ford; Rowland Wymer Textbook 1995Latest edition Macmillan Publishers Limited 1995 Analyse.drama.dramatist.law.Romanticism.thea

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楼主: 老鼠系领带
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The Broken Heart,Moreover, the terms in which the play is frequently praised (‘in . we have the nearest English approach to the pure form of French classical tragedy’) do not make it sound particularly appealing to English theatrical tastes.. It would be easy to conclude that here we have a simple opposition between
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The Broken Heart,Moreover, the terms in which the play is frequently praised (‘in . we have the nearest English approach to the pure form of French classical tragedy’) do not make it sound particularly appealing to English theatrical tastes.. It would be easy to conclude that here we have a simple opposition between
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Perkin Warbeck,ionship between writer and audience, to create a horizon of expectations which will help to determine the significance of what is presented. The ‘meaning’ of a literary work cannot be derived from its words and sentences alone but from the ‘total utterance’ of its publication or performance in a par
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Macmillan Publishers Limited 1995
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English Dramatistshttp://image.papertrans.cn/w/image/1021780.jpg
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https://doi.org/10.1007/978-1-349-23853-8Analyse; drama; dramatist; law; Romanticism; theatre; British and Irish Literature
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,The Devil’s Law-Case,fulfil. Written soon after the great tragedies, it is filled with verbal, visual and situational echoes of the earlier plays but has often been described in terms reminiscent of Donne’s insulting ‘compliment’ to a woman:
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