Titlebook: War, Myths, and Fairy Tales; Sara Buttsworth,Maartje Abbenhuis Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Fairy Tales.

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Once Upon a Nation: Fables and Fairy Tales in Canadian Plays About War, . (2000), Norah Harding’s . (1995), Kenneth Brown and Stephen Scriver’s . (1994), Ken Gass’ . (1974), and . by John Gray (1978). The chapter argues that the stories told to Canadians about war and Canadian national identity are molded and integrated with myth, fable, and fairy tale characteristics.

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货物

Child Soldiers in Medieval(esque) Cinema,pes as rhetorical devices in ways that mark and amplify children’s agency. Although the historicity of armed youths is well documented, the authors argue that audiences must be carefully introduced to children’s military service as both tragic and necessary. Ostensibly “Western” cinematic settings t

CAB

Child Soldiers in Medieval(esque) Cinema,pes as rhetorical devices in ways that mark and amplify children’s agency. Although the historicity of armed youths is well documented, the authors argue that audiences must be carefully introduced to children’s military service as both tragic and necessary. Ostensibly “Western” cinematic settings t

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,“A Trap of Our Own Making”: Mark Twain and the Mechanized Warfare of King Arthur’s Court,fare that dominated the late nineteenth-century Anglo-American world. However, Twain’s work was more than a mere corrective of historical inaccuracy. His novel also offered a commentary on warfare and technology in Twain’s own present. As much as it critiqued nineteenth-century tendencies to idealiz

senile-dementia

,“A Trap of Our Own Making”: Mark Twain and the Mechanized Warfare of King Arthur’s Court,fare that dominated the late nineteenth-century Anglo-American world. However, Twain’s work was more than a mere corrective of historical inaccuracy. His novel also offered a commentary on warfare and technology in Twain’s own present. As much as it critiqued nineteenth-century tendencies to idealiz

ELUC

Tdd526

,“Life Was a State in Which a War Was On”: A.S. Byatt’s Portrayal of War and Norse Mythology in ,,hs and fairy tales, material in which Byatt has a long-standing interest. Drawing on critical perspectives on war literature and gender criticism, I examine how in ., Byatt explores female identity and childhood experiences of the Second World War, reflected and transformed through the imagery, moti

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,War and the ,. The Motif of the Unborn Generations in Jewish Women’s Story-Telling,mbers). Like other stories in the extensive family repertoire, . was learned orally by Shonaleigh in childhood from her grandmother, Edith Marks, who practiced as a community story-teller or . in the pre-war Netherlands. She then carried the family repertoire in her memory, through the Holocaust to