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Titlebook: Charlotte Mew: Poetics, Bodies, Ecologies; Francesca Bratton,Megan Girdwood,Fraser Riddell Book 2024 The Editor(s) (if applicable) and The

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发表于 2025-3-21 18:54:54 | 显示全部楼层 |阅读模式
书目名称Charlotte Mew: Poetics, Bodies, Ecologies
编辑Francesca Bratton,Megan Girdwood,Fraser Riddell
视频video
概述The first dedicated volume to engage critically with Charlotte Mew’s poetry, fiction and essays.Explores Mew’s oeuvre in relation to her wider late-Victorian and early modernist intellectual milieu.Br
丛书名称Palgrave Studies in Nineteenth-Century Writing and Culture
图书封面Titlebook: Charlotte Mew: Poetics, Bodies, Ecologies;  Francesca Bratton,Megan Girdwood,Fraser Riddell Book 2024 The Editor(s) (if applicable) and The
描述.This collection of essays explores the life and works of the British poet and author of short stories Charlotte Mew (1869-1928). It represents the first volume dedicated solely to critical engagement with the full range of Mew’s poetry, fiction and essays. Mew moved within a remarkable range of literary and intellectual circles, from .The Yellow Book. in the 1890s to Bloomsbury’s Poetry Bookshop in the 1910s. As such, her work challenges traditional distinctions between literary periods and sits within the more expansive framework of the long nineteenth century and its legacies. Each chapter contextualises Mew’s oeuvre by examining her experiments with poetic and narrative genres in relation to her wider late Victorian and early modernist intellectual milieu. The volume draws together literary scholars working across the fields of poetry and poetics, decadence, modernism, ecocriticism and queer theory, while illustrating the particular stylistic and thematic complexities of Mew’s writing...  .
出版日期Book 2024
关键词Literature, Gender and Sexuality; Short Story; Victorian Literature; Modernism; Long nineteenth century;
版次1
doihttps://doi.org/10.1007/978-3-031-62542-8
isbn_softcover978-3-031-62544-2
isbn_ebook978-3-031-62542-8Series ISSN 2634-6494 Series E-ISSN 2634-6508
issn_series 2634-6494
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-22 00:18:40 | 显示全部楼层
,Coda: ‘I think it is myself I go to meet’—Charlotte Mew’s Afterlives,and poets responding to her work. This final chapter delves into how biographers and writers have responded to these gaps, silences and omissions, in scholarly biographies (Copus), novelistic biographies (Fitzgerald), essays (Boland), poetry (Clampitt, Warner, Boland, Longley, McGuckian). This chapt
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Charlotte Mew’s Silenceosophical investments. Mew wrote to both articulate and overcome silence, in particular, what she saw as the empty words and entombing silence of the Christian faith. From the impossibility of speech in her short story ‘Passed,’ through to her bravura essay on Emily Brontë’s poetry and the anguished
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Charlotte Mew’s Self-Effacing Celebritys of the early twentieth century, such as Edith Sitwell and Edna St. Vincent Millay, Mew apparently refused to use her image to promote her work, just as she routinely declined to provide personal details for anthologists. This chapter challenges such a narrative, revealing that Mew was in fact more
发表于 2025-3-22 20:58:40 | 显示全部楼层
Equivocal Address in the Poems of Charlotte Mew and being spoken to. Mew’s poems themselves, however, frequently refuse to signify identity in a way that is singular or definitive. While second-person address is a common feature of many lyric poems, Mew’s frequent adoption of personae, combined with her tendency towards the opaque and obscure, a
发表于 2025-3-23 00:23:14 | 显示全部楼层
Charlotte Mew and the Unspeakable Sites of Trans Embodimentof Emily Brontë‘, the chapter uncovers a tumult of nonhuman embodiments and affinities, from body transformations at the hands of fairies to magical transitioning in the natural world. In doing so, the chapter argues that Mew‘s work celebrates a transgothic and transecological imaginary, comparing M
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