Overview: Describes a universal conceptual approach to the computational science of music.Comprises detailed models of harmony, rhythm, motives, and counterpoint, together with classic examples from the composi.This is the first volume of the second edition of the now classic book “The Topos of Music”. The author explains the theory‘s conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives..978-3-030-09717-2978-3-319-64364-9Series ISSN 1868-0305 Series E-ISSN
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