CLOG 发表于 2025-3-21 17:18:30

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Ingest 发表于 2025-3-21 23:17:01

,The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves,ead censorship and litigation in shaping the first forms of vampires to emerge in early cinema cultures are revealed. The paranormal investigator, Hereward Carrington’s specific knowledge of occult and ‘psychic detective’ sources is shown as key to the production of the first vampire film.

控制 发表于 2025-3-22 04:07:41

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Proclaim 发表于 2025-3-22 07:27:06

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协定 发表于 2025-3-22 11:49:11

,F. W. Murnau’s ,nections of . and shows how, once these resonances are fully appreciated, the universe evoked in the film is far more threatening and vast than has been previously understood. The chapter also supplies a salient eco-horror reading of these silent vampire films.

resuscitation 发表于 2025-3-22 15:07:40

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解决 发表于 2025-3-22 17:21:30

,The Cinematic Vampire 1896–1922: Vampire Bats and Vamps and Thieves,ctaculars into the  films of Georges Méliès and other early directors. Paradigms for recognising viable vampire figures are explored and the possibilities of locating their presences in the first movies featuring devils, monsters and fairy-tale motifs. Vampire dances, both in and out of cinema, are

傲慢人 发表于 2025-3-22 22:59:14

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pericardium 发表于 2025-3-23 02:00:31

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nominal 发表于 2025-3-23 08:53:12

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查看完整版本: Titlebook: Vampires on the Silent Screen; Cinema’s First Age o David Annwn Jones Book 2023 The Editor(s) (if applicable) and The Author(s), under excl