FEIGN
发表于 2025-3-23 12:08:31
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Nonthreatening
发表于 2025-3-23 17:43:34
Counterfeits and , scrutiny, prove to be ‘counterfeits’ in terms of any real connection to supernatural bloodsuckers. Turning then to Robert Wiene’s ., the discussion examines Fern Andra’s dramatic role as a Goddess vamp, priestess of a ‘Defeated Tribe’ and her savage desire to witness the spilling of her victims’ bl
不自然
发表于 2025-3-23 18:59:19
,F. W. Murnau’s , Carrington’s Fire Elemental and Kober’s Lilith, as one of a group of primary cinematic evocations of demonic vampires from 1916 to 1922. It can also be viewed in context with two previous engagements with Stoker’s Dracula: Count Merlin and the asylum inmate of .. This chapter contains the first det
chemical-peel
发表于 2025-3-23 23:18:33
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弄皱
发表于 2025-3-24 05:39:20
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Electrolysis
发表于 2025-3-24 08:14:21
,The Blood-Demon and the Scientist: Erich Kober’s , / , (1919),ent, idealisation and substitution are to the fore, as are notions of fetishization and Post-Colonial discourse. The importance of contemporary sexual crises and ideologies in Lang’s Vienna and their implications for the film are also discussed.
你正派
发表于 2025-3-24 11:54:18
,Dreaming in the Madhouse Károly Lajthay’s , / , (1921), the lunatics continuously threaten to take over the asylum. Serious consideration is also given to the psychological and fairy-tale aspects of this Drakula, weighing up the evidence and contrasting his terrifying, grandiloquent fantasies with his pitiful mortal fate.
寻找
发表于 2025-3-24 16:05:44
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道学气
发表于 2025-3-24 22:20:22
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palpitate
发表于 2025-3-25 01:15:12
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