CHARY 发表于 2025-3-21 18:06:47

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高度赞扬 发表于 2025-3-21 23:53:57

: Casting the Star, is the Duke. This thesis is stated with exemplary clarity by Adrian Noble of the RSC, in interview. ‘When I first saw ., here in Stratford in 1970 — John Barton’s production — the leading character was Angelo, without doubt. Nowadays the leading character is either Isabella or the Duke — probably the Duke.’

nepotism 发表于 2025-3-22 01:23:10

g, Chorus and the crowd, the star of Hamlet and Measure for Measure. The transformations of The Tempest and Dramatis Personae are analysed. Audience control is studied in King Lear, through Cordelia‘s asides, in Richard II with its subversive laughter, and in Henry IV with its scenic alternation of

Infuriate 发表于 2025-3-22 08:30:55

Casting Hamlet: Two Traditions,lties of the problem, I propose two archetypes of contemporary Hamlets, the Prince and the Rebel. One cannot pretend to bind all human complexities into one of two straitjackets. Even so, the archetypes grow out of the necessities of the text, and I think that Hamlets of the recent generation can be aligned with one or other of the great choices.

Optometrist 发表于 2025-3-22 09:20:32

Book 1993studied in King Lear, through Cordelia‘s asides, in Richard II with its subversive laughter, and in Henry IV with its scenic alternation of pleasure and duty. Performance is the realization of identity.

学术讨论会 发表于 2025-3-22 14:08:40

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恃强凌弱 发表于 2025-3-22 18:07:25

Doubling: Theory and Practice,hen linked with other roles. But subterranean linkage between characters, and with it the experimental possibility of doubling, is inherent in Shakespearean drama. The stage’s experiments can at least initiate thought, and perhaps demonstrate conclusion.

共栖 发表于 2025-3-22 22:16:07

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Hangar 发表于 2025-3-23 01:37:18

,Hamlet’s Doubles,the drama’s centre; and Hamlet, with his supreme self-awareness, constantly sees in others images of himself. Laertes and Fortinbras are only the most obvious examples. The Player, in the passage cited, reminds Hamlet of what he knows, and would as soon forget.

BORE 发表于 2025-3-23 09:20:07

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查看完整版本: Titlebook: Shakespeare in Performance; Castings and Metamor Ralph Berry Book 1993 Ralph Berry 1993 drama.Hamlet.history.history of literature.identity