繁忙
发表于 2025-3-25 05:03:37
Casting the Chorus, the actor does not disguise himself as chorus; there is a transference of playing values, and the identity of the linked part has at least the possibility of inflecting chorus. We ought to know chorus’s subterranean partner, his stage sibling, and draw whatever conclusions we can.
forecast
发表于 2025-3-25 08:54:43
http://reply.papertrans.cn/87/8663/866227/866227_22.png
degradation
发表于 2025-3-25 15:36:56
http://reply.papertrans.cn/87/8663/866227/866227_23.png
pantomime
发表于 2025-3-25 19:31:12
http://reply.papertrans.cn/87/8663/866227/866227_24.png
不如屎壳郎
发表于 2025-3-25 20:58:14
http://reply.papertrans.cn/87/8663/866227/866227_25.png
流浪者
发表于 2025-3-26 01:06:44
http://reply.papertrans.cn/87/8663/866227/866227_26.png
铁砧
发表于 2025-3-26 07:33:19
http://reply.papertrans.cn/87/8663/866227/866227_27.png
patriarch
发表于 2025-3-26 12:21:22
http://reply.papertrans.cn/87/8663/866227/866227_28.png
厚颜无耻
发表于 2025-3-26 13:17:59
Within the Bermuda Triangle: Reflections on Recent ,to which one can point as a milestone. This is so with .. There is not, I believe, a single production in the past generation that could be described as ‘revolutionary’; and yet our sense of the play in performance has changed greatly. Hence I want to offer not a collective review of the major produ
是突袭
发表于 2025-3-26 19:45:47
Ralph BerryAutorin ist selbst Künstlerin und Coach/Psychologin.IncludesIn diesem Buch finden kreative Menschen moralische und praktische Unterstützung für Alltag und Berufsleben – beim Umgang mit inneren Hürden wie Selbstzweifeln, Chaos und Motivationslücken oder äußeren wie Rechnungen, Wäschekörbe und Verhand