严厉批评
发表于 2025-3-23 12:41:05
Casting the Chorus,arean choruses and prologues are luxury castings for individual actors, which depend upon spacious production values. Certainly in Shakespeare’s day, and very generally since, the actor playing chorus will have had to combine it with at least one other part. This double will be visible, so to speak;
colostrum
发表于 2025-3-23 16:20:15
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使饥饿
发表于 2025-3-23 18:01:53
,Lear’s System and Cordelia’s Aside: Leading the Audience,d therefore of the play. He cannot be taken too literally. Intelligence does not always express itself in manifestly ‘intelligent’ observation. Still, if Orwell is essentially right, the opening ceremonial is a mere dotage. And this is a view commanding wide support. ‘In the first scene of the play,
Keshan-disease
发表于 2025-3-24 00:29:41
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原谅
发表于 2025-3-24 02:41:17
Metamorphoses of the Audience,o special characteristics. They are a plurality rather than a group. But on occasion, the stage personnel coalesce into a group with marked corporate identity. It may be a mob, a congregation, an army. In such cases the tendency is for the audience mind to be replicated on stage: that is, our involv
archetype
发表于 2025-3-24 07:15:49
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faucet
发表于 2025-3-24 11:06:18
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断断续续
发表于 2025-3-24 16:42:25
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运气
发表于 2025-3-24 19:36:11
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强所
发表于 2025-3-25 01:29:40
Book 1993and the crowd, the star of Hamlet and Measure for Measure. The transformations of The Tempest and Dramatis Personae are analysed. Audience control is studied in King Lear, through Cordelia‘s asides, in Richard II with its subversive laughter, and in Henry IV with its scenic alternation of pleasure a