SORB 发表于 2025-3-21 17:26:28

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后退 发表于 2025-3-22 00:02:53

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conformity 发表于 2025-3-22 03:33:22

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Original 发表于 2025-3-22 07:11:07

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壮观的游行 发表于 2025-3-22 10:19:02

Baroque Modes and the Production of Knowledge, the observer, is busy putting to paper the figure of Clio, the muse of history, draped in blue and holding the symbols of her art: the book and the trumpet. On the wall behind her is an elaborate map of the Netherlands (the west facing up), framed by miniature depictions of Dutch towns. Vermeer “ju

BAIT 发表于 2025-3-22 13:18:56

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起草 发表于 2025-3-22 17:20:19

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PATHY 发表于 2025-3-22 21:28:48

“The Quality of Nothing:” Shakespearean Mirrors and Kepler’s Visual Economy of Sciencenth century. The outlines of this distrust are poignantly expressed in some of Shakespeare’s major plays. Shakespeare’s protagonists initiate a thorough investigation into what kind of knowledge is possible in a world of apparitions and visual deceptions. In his 1604 treatise on optics Kepler confro

endoscopy 发表于 2025-3-23 03:58:32

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stroke 发表于 2025-3-23 06:19:27

What Exactly Was Torricelli’s “Barometer?”canonical story anchored by the larger historiographical edifice of the “Scientific Revolution” holds that Torricelli was using a new instrumental experimental approach to natural philosophy to demonstrate and measure the weight of atmospheric air. Within this frame, Torricelli’s mercury esperienza
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查看完整版本: Titlebook: Science in the Age of Baroque; Ofer Gal,Raz Chen-Morris Book 2013 Springer Science+Business Media Dordrecht 2013 Newton.Scientific Revolut