名字的误用
发表于 2025-3-25 06:44:27
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Osteoarthritis
发表于 2025-3-25 08:37:01
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Phonophobia
发表于 2025-3-25 15:27:49
Science in the Age of Baroque978-94-007-4807-1Series ISSN 0066-6610 Series E-ISSN 2215-0307
万花筒
发表于 2025-3-25 18:16:01
Ofer Gal,Raz Chen-MorrisNew interpretations of major themes in 17th century scientific thought.Innovative examination of the Baroque qualities of canonical figures of the scientific revolution from Kepler to Newton.A new his
异端邪说下
发表于 2025-3-25 22:47:09
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HAIRY
发表于 2025-3-26 00:13:34
What Exactly Was Torricelli’s “Barometer?” documentary contexts available in the same archive to give a different, though insistently historical, account of Torricelli’s motivations for and conceptualization of his labors. The paper does not conclude by claiming a new and definitive revisionist interpretation of Torricelli’s mercury esperie
OCTO
发表于 2025-3-26 05:04:39
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小淡水鱼
发表于 2025-3-26 11:08:39
Chymical Philosophy and Boyle’s Incongruous Philosophical Chymistryving Boyle qua reformer (as a member of the very scientific community Boyle sought to reform), Duclos exposed Boyle’s lack of experimental proficiency and acquaintance with the chymical realm. Reading Boyle’s new “physico-chymical” science from a distinctly chymical perspective, Duclos revealed its
Ceramic
发表于 2025-3-26 13:47:51
The Simulation of Nature and the Dissimulation of the Law on a Baroque Stage: Galileo and the Churchortrait (Marin 1988), as well as Walter Benjamin’s argument on the centrality of allegorical practices in Baroque theatre (Benjamin 1977), I shall isolate two additional arenas in which Baroque forms of representation and allegory were used: in Galileo’s attempt to cope with the visual evidence abou
有说服力
发表于 2025-3-26 18:41:21
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